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Romances pour cor et piano

by Javier Bonet /Miriam Gómez

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    Contents: Nocturno, Op. 7, Franz Strauss; Andante, A V 86A, Richard Strauss; Lied ohne Worte, Op. 2, Oscar Franz; Lied ohne Worte, Op. 109, Felix Mendelssohn/Oscar Franz; Romanze, Op. 182, Nos. 1 & 2, Joachim Raff; Notturno, Op. 112, Carl Reinecke; Romance, Op. 35, No.6, Rheinold Glière; Reverie, Op. 24, Alexander Glazunov; Cavatine, Theodore Dubois; Romance, Alfred Bruneau; Piece Mélodique, No.1, Charles Gounod; Ro¬mance, Op. 67, Camille Saint-Saens; Adagio and Allegro, Robert Schumann.

    Javier Bonet has produced an impressive disc, a treasure trove of melodic selections for horn and piano appropriate for all hornists. Some are well known to hornists; others may be new.
    The two Strauss works of father and son are beautifully rendered. The quiet introspective ending of the Nocturne is a lesson in control and sensitive artistry. The long lines of the Andante are handled effortlessly as the phrases crescendo.
    The two Song Without Words of Oscar Franz and Felix Mendelssohn are often neglected but are worthy of being pro¬grammed. Bonet's heartfelt interpretations and flexible phras¬ing bring out their sentimental character without becoming overly dramatic. The optional choice of mute in the concluding passage of the Franz creates additional color. The Mendelssohn is probably unfamiliar to most hornists but is a staple for cel¬lists.
    I was unfamiliar with the two Romanzas by Joachim Raff. The liner notes indicated that this is their premier recording. Though initially benign sounding, rests are few with physi¬cal demands required by long cantabile phrases. Bonet gives a lovely presentation with an ease that belies the difficulties.
    The Reinecke Notturno is beautiful and Bonet brings lyri¬cism to the work. In middle section, he ratchets up the inten¬sity to the bravura passage prior to reprise of the A section. Although not without difficulties, it is wonderful and offers more intensity than the Glière.
    The Romanze by Glière showcases the mid-low register in the opening. Bonet´s rendition of the work and his version of the cadenza make for a satisfying performance.
    Glazunov's Reveries is given a wonderful interpretation, but the balance exacerbated the problematic projection of the low A. Gómez-Moran is a sensitive collaborator, leading me to believe the few balancing issues are due to the mixing.
    I have seen the Dubois and Bruneau selections in music bins and now, after hearing them, I intend to acquire the music. The Cavatina is a quality lyrical piece that has sufficient move¬ment, which stands out on this recording where many of the works are of slower tempos. The Romance, though a quality work, reverts back to a slower pulse.
    Gounod's Piece Mélodique No.1 offers Gómez-Moran an opportunity to showcase her phrasing skill. It was a pleasure to hear what it can become of a work when performed by first-class artists.
    Saint-Saens's Romance has many pitfalls, such as long phrasing, fast valve work, endurance, and overall planning and concept. Bonet's solid interpretation and suave delivery of the cantabile portions and approach to ornaments are spot on. The effortless ascent to the high b" at the conclusion is wonder¬ful.
    In the Schumann Adagio and Allegro, Bonet chooses a tempo that moves and allows the thematic material to unfold in a sen¬sitive dialogue with Gómez-Moran. The give and take through the phrases and rubatos attends of sections are relaxed and natural. The ensemble pulls no punches in the bravura tempo of the Allegro. Bonet exhibits flawless technique and dexterity and Gómez-Morán gives a superb performance.
    I recommend this disc and congratulate the performers on a worthwhile project.

    Includes unlimited streaming of Romances pour cor et piano via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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released January 1, 2012

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Javier Bonet Madrid, Spain

J. Bonet began his studies in Spain and in Germany under H. Baumann. A tireless researcher and international concert artist, his versatility enables him to pursue an internationally recognized career. Of particular importance in his extensive discography as soloist is the new recording of the Horn Concerto by J. Colomer “Naturaleza Humana” and the Mozart Concertos with H. Baumann as conductor. ... more

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